{"id":344,"date":"2008-09-13T02:14:41","date_gmt":"2008-09-13T06:14:41","guid":{"rendered":"http:\/\/harris.wulfson.com\/weblog\/?page_id=344"},"modified":"2023-01-23T11:14:44","modified_gmt":"2023-01-23T16:14:44","slug":"articles","status":"publish","type":"page","link":"https:\/\/harris.wulfson.com\/?page_id=344","title":{"rendered":"articles"},"content":{"rendered":"<p><strong>\u2022 2007:<\/strong> <a href=\"http:\/\/harris.wulfson.com\/docs\/difficult.pdf\" target=\"_blank\" rel=\"noopener\"><em>LiveScore<\/em> by Harris Wulfson<\/a><br \/>\n<em><em><a href=\"https:\/\/vesnade3ign.com\/portfolio\/everybody-loves-difficult-music-machine-project\/\" target=\"_blank\" rel=\"noopener\">Everybody Loves Difficult Music<\/a>, Edited by James Orsher, Mark So and Sarah Roberts,\u00a92007<br \/>\nBook of essays about the series of performances held at the Machine Project gallery in Los Angeles.<\/em><\/em><\/p>\n<p><em><em><strong>\u2022 2007:<\/strong> <a href=\"http:\/\/harris.wulfson.com\/docs\/s2n.jpg\" target=\"_new\" rel=\"noopener\"><em>Harris Wulfson<\/em> by Matthew Stern<\/a><!-- br--><br \/>\n<em><a href=\"http:\/\/www.signaltonoisemagazine.com\/\" target=\"_new\" rel=\"noopener\">Signal to Noise<\/a>, the journal of improvised &amp; experimental music<\/em>, #45, Spring, 2007<br \/>\nPublished from 1997 to 2013<\/em><\/em><\/p>\n<p><em><em><strong>\u2022 2007:<\/strong> <a href=\"http:\/\/harris.wulfson.com\/docs\/AutomaticNotationGeneratorsLowRes.pdf\" target=\"_new\" rel=\"noopener\">Automatic Notation Generators (pdf)<\/a><br \/>\nG. Douglas Barrett, Michael Winter, Harris Wulfson<!-- br--><br \/>\n<em>Seventh International <a href=\"http:\/\/www.nime.org\/\" target=\"_new\" rel=\"noopener\">Conference on New Interfaces for Musical Expression<\/a><\/em>, New York, NY 06.07.2007<!-- br--><br \/>\n<em>and <a href=\"http:\/\/www.computermusic.org\/\">International Computer Music Conference<\/a><\/em>, Copenhagen, Denmark, 08.27.2007<\/em><\/em><\/p>\n<p><em><em><em><strong>\u2022 2008:<\/strong> <a href=\"http:\/\/harris.wulfson.com\/docs\/when_george_antheil_met_hedy_lamarr_ntyimes.pdf\" target=\"_new\" rel=\"noopener\">Mechanical Dreams Come True<\/a><br \/>\n<em>The New York Times<\/em>, June 9, 2008<br \/>\nExcerpt: In the concert, \u201cBallet M\u00e9canique\u201d was preceded by performances of recent works by Luke Thomas Taylor, Harris Wulfson and Lukas Ligeti that explore various uses of digital music-making. <a href=\"https:\/\/harris.wulfson.com\/?p=471\">More here.<\/a><\/em><\/em><\/em><\/p>\n<p><em><strong>\u2022 2010:<\/strong> <a href=\"http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/07494467.2010.509594\" target=\"_blank\" rel=\"noopener\">LiveScore: Real-Time Notation in the Music of Harris Wulfson<\/a><\/em><br \/>\nG. Douglas Barrett; Michael Winter<br \/>\n<em>Taylor &amp; Francis<\/em> September 17, 2010<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 2007: LiveScore by Harris Wulfson Everybody Loves Difficult Music, Edited by James Orsher, Mark So and Sarah Roberts,\u00a92007 Book of essays about the series of performances held at the Machine Project gallery in Los Angeles. \u2022 2007: Harris Wulfson by Matthew Stern Signal to Noise, the journal of improvised &amp; experimental music, #45, Spring, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"footnotes":""},"class_list":["post-344","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=\/wp\/v2\/pages\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=344"}],"version-history":[{"count":44,"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=\/wp\/v2\/pages\/344\/revisions"}],"predecessor-version":[{"id":1612,"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=\/wp\/v2\/pages\/344\/revisions\/1612"}],"wp:attachment":[{"href":"https:\/\/harris.wulfson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}